How To Create Two and Three Compositional Effects In Art

Two-dimensional artworks are works that have length and breadth. They do not have depth or height. They are flat and are viewed and appreciated as such. Examples of two-dimensional arts include photographs, posters, mosaic etc. In two-dimensional compositions, the artist has to give particular attention to how the various elements of design are organized or arranged. Their arrangement should be governed by the various principles of design in the given space. For instance, the text and images in the picture area should be organized in such a way that there will be balance, dominance, rhythm, unity etc. at work. If serious thought and considerable time are given to the way the various elements in a two-dimensional work is composed, the entire work will be seen as a unified whole.

A three-dimensional art form refers to any art form that has height, breadth, depth and can be viewed and appreciated from different directions. They are free-standing and are sometimes referred to as ‘works in the round’. Examples of three-dimensional works include basketry, sculpture-in-the-round, ceramic ware, bead etc. In three-dimensional compositions, the arrangements of the various parts or components of the design should be guided by the principles of design. Also, in creating three-dimensional art forms consideration is given to the relationships and agreement of shapes, space, scale, weight, proportion, balance, variety, rhythm, etc. Creation of three-dimensional art forms involves knowledge and skill in construction and building of forms, perspective as well as the mastery way of handling tools and materials.

Two and three-dimensional works are much related. For instance, before all three-dimensional works are built and constructed, they are first represented in two-dimensional drawings from various angles and views. This is done to envision how the actual three-dimensional works will look like. Two-dimensional designs give us the platform to analyze and select those aspects of our environment which motivate us to make three-dimensional arts.

The relationship or similarities between two and three-dimensional forms are easily recognized in the identification, selection, and examination of visual information derived from the environment, the exploration and the use of tools and materials in producing artifacts as well as the feeling that arouses in us when we see the finished artwork.

A problem needs to be identified that would require the production of a three-dimensional art form. For example, there is the need of a leather clutch bag to house some items used by an artist. Several observations of both natural and manmade objects found in the environment are made to accrue ideas for the designing of the clutch bag. Through the various stages of idea development of the natural or manmade object selected, several designs are obtained through additions and subtractions of the parts of the original design. Recall maintaining the original concept or main parts of the original design while going through the various stages in idea development. The appropriate design that demonstrates the artist’s ingenuity or creativity and best addresses the problem identified are selected.

The final sketch of the design is drawn in a two-dimensional form showing various views of the design. This paves the way for the building of the actual clutch bag with the appropriate tools and materials thus leather in a solid three-dimensional form.

There are series of activities that are involved in both two and three-dimensional compositions. These are:

1. Visual investigation: This refers to the exploration of the visual world through keen and critical observation of nature with the eye. These explorations of the eye are put on paper in the form of drawing whether in two or three-dimensional composition.

2. Learning of skills: Skills in production processes are essential in both two and three-dimensional compositions. For instance, a skill in layout designing is required in all compositions be it two or three dimensions.

3. Problem-solving: Both two and three-dimensional compositions are made with the view of addressing or solving an identified problem. Finished works of art are produced as a result in arresting those problems.

Art Design Courses – What to Look For

Two of your major art design course objectives should first be an emphasis on your professional skills development and to gain the techniques, skills, methodology, and vocabulary that will be required for your success as a productive artist, designer, or scholar.

You second objective should be the development of critical judgment and historical perspective that you will need to become a problem solver. With art and design history mixed in with studies in the liberal arts and sciences, gives you the context for stimulating intellectual and creative thinking.

Art design is not simply about what you see, it is about what you can make someone else see. Find courses that start with the exploration of art design fundamentals, ones that provide the experience suitable for beginning as well as advanced artists. Once you gain a basic understanding of how to see and describe something in visual terms, you can investigate expressive and experimental directions in your art designs.

Working with the dynamics of color has significant implications in the work of artists, illustrators, craftspeople and designers. The course you choose should explore the issue of color by developing creative exercises, look at studies from nature, the human environment using collage, paint and other art media. Look for or request projects that will facilitate in-depth exploration of the role of light, the psychological impact of color on the brain, and how such factors as hue, value and intensity affect artistic design. Historical background should be provided via lectures and power point presentations.

As an artist you should be constantly researching new materials and inventing new creative processes to for a new piece. Find a multi-disciplinary course which will allow you to experiment with a lot of different media types in reaction to a specific site or location, for example, sound-based, sculptural, a drawing or a painting.

As for great artistic figurative sculpturing it must not be left untouched and let me say it does not just simply copy nature, indeed no, it takes the essential qualities that it needs from nature turning them into the beautiful visual language of three dimensional form. The artist’s visual language is how the sculptor conceives of the figure and interprets anatomy. You must learn to think of the human body as an interconnected system full of layered forms. You will want to learn how to about combining close perceptual study of a posing model with a conceptual understanding of the human body’s shapes and proportions, finally learning how to create your visualizations of the human figure. You really should include in your art design course studies critical thinking about what it means to represent the human body in your art.

5 Reasons To Consider Promoting Yourself in Art Licensing

One of the first things artists wonder about, after learning about art licensing, is whether they should find an agent or go it alone. Questions like, “Will I have time to do the marketing and create my art?” “Will I make more money with an agent or on my own?” and “How will I ever find contacts if I try to do it myself?” spin through the artist’s mind.

While no one can answer those questions definitively, there are certain beliefs and mindsets that might make an artist more likely to succeed promoting their own work than another. An artist who is extremely shy, or very hesitant to promote their own work, for example, would likely be more successful using an agent.

Here are 5 statements to consider about promoting your work. If you agree with most of them, you might want to consider marketing your own work.

  1. I enjoy collaborating on projects with clients.
  2. I am not afraid to make phone calls to promote my work.
  3. I like taking direction from others and being creative within what is asked of me.
  4. I like to control every aspect of my business.
  5. I am organized and can keep track of finances and accounts receivable.

Art licensing agents are business people – in the business of promoting artists work to manufacturers for licensing. They do the sales, marketing, contracts and bookkeeping involved for the artists they represent. If you are comfortable doing these things and want to really learn and understand every aspect of your business, promoting your own work might be a great choice. And remember – you can always make a different choice later.